Tag: COMEDY

  • Music was my first love, not comedy- Basketmouth

    Music was my first love, not comedy- Basketmouth

    Popular comedian, Basketmouth has averred that before his foray into comedy and acting, his first career path was music.

    The 43-year-old thespian revealed this on his Instagram page on Friday, while accompanying the post with pictures of himself and Ductorsett, the budding music producer.

     

    “Most people do not know this but music was my first love, then TV before comedy,” he wrote.

    “I had to do it backwards as the timing wasn’t right & I hadn’t met a producer that can see music the way I see it……in its true form & color. God bless the day I met you.”

    TheNewsGuru recalls that Basketmouth recently teamed up with 2Baba and Blaqbonez for the delivery of ‘Trouble,’ his much anticipated single.

    In an interview, Basketmouth stated that his children do not attend his comedy shows.

     

    ” They don’t see Basketmouth at all. The only person they see is Bright Okpocha, their father. The only time they experience Basketmouth is when we go out and people want to take pictures with me. They (my children) don’t really come to my shows, and even if they do, they stay in a hotel because of the kind of ‘rubbish’ I say on stage some times.

    However, there are times an element of Basketmouth pops out and I see them laughing so hard. I try as much as possible to separate myself from my work before entering the house”.

     

  • I can do stand-up comedy not just in Pidgin, but anywhere in the world -Bovi

    I can do stand-up comedy not just in Pidgin, but anywhere in the world -Bovi

    Comedian and actor, Bovi Ugboma has averred that he can do stand-up comedy anywhere in the world.Bovi made this revelation as a guest on Rubbin Minds.

    Expressing his thoughts on the belief that some stand-up comedians can only express their craft in Pidgin English, he said: “You cannot lump all of us in a box. I can do my stuff anywhere in the world. I have done stuffs in as far as Australia in English. But here, the truth of the matter is that there is too much juice in our Pidgin English. Pidgin English is like our Lingua Franca.There is poetry in our Pidgin English. Sometimes to connect more, you have to do it in the language that touches the heart. For us to cross over, we have to do it in a language most of the world speaks or understands. But for our market here, the money is in the Pidgin”.

    Bovi also said the emergence of Instagram comedians is a welcome development in the Nigerian comedy industry.

    “It’s a whole new genre on its own, the online comics. Because it is not easy. I have been doing skits more than ten years ago .Before these platforms came, we used to do skits to promote our shows. So I know how difficult it is to make one skit.

    Me doing stuffs with them now is because I like to do skits, I like to act. Most importantly I had a product to promote that was why. I remembered last year or two years ago, Mr Macaroni reached out and I said I wasn’t ready. He asked why and I said I am used to doing this to promote just shows. I understand this is a market and the time would come when I would be ready for it. So that time is coming now”.

     

     

     

  • Comedians need to start creating mini albums- Bovi

    Comedians need to start creating mini albums- Bovi

    Comedian and actor, Abovi Ugboma better known as Bovi has stated that comedians need to embrace the art of creating album-like skits to sustain relevance.

    The 41-year-old comedian made this known on Sunday at the virtual 8th edition of the Nigerian Entertainment Conference (NEC Live).

    In his words: “Personally, I feel comedians need to start creating mini albums, which is like what TV has always been, weekly shows of 30 minutes duration as oppose to one video today and another tomorrow,” he said.

    “We need to create something like an album, making 8 videos, some comedians are already doing it. Comedians should think of something like this, making 8 episodes of content, so they can have time to do other things as against you consuming your life every week.

    “That is how you have a proper structure. That way in the future, a streaming platform can say we love what you do, and commission you to make weekly episodes for them.”

    The seasoned entertainer also added that everyone now has a Tv station, saying the likes of tiktok and YouTube have become some sort of Tv stations for content creators.

    “The skit culture is actually different. It has helped to create a new industry, in the sense that there are people who are so witty that in less than 30 seconds, they can make you laugh by what they dramatise through the skit. So, it is a win win situation for the executioner and consumers,” he said at the fireside chat.

    “Now everybody has a Tv station, your YouTube is your Tv station, your Instagram and TikTok are your Tv stations. So, this is a great opportunity for people to showcase the talents they have and if it’s good the world will buy.

    “To take advantage of this, you need to know your strength, you must evolve, because disruption is the order of the day. Create stuff not only for the moment but something of longevity:”

     

  • I was told I cannot make a million naira from comedy-Alibaba

    I was told I cannot make a million naira from comedy-Alibaba

    Nigerian comedian and actor, Atunyota Alleluyah Akpobome a.k.a Alibaba says he was once told he cannot make a million naira per event as a comedian.

    The host of ‘Alibaba’s Spontaneity’, a comedy platform for budding comedy talents said he was also told he cannot make anything out of comedy in 1987.

    According to him:”You can’t make anything out of comedy. 1987.
    _
    You cannot charge 1million per event. 1998.
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    You cannot do a 6 hour comedy show. 2012.
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    You cannot do a show on January 1st, nobody will come. 2014.
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    There are ideas I have shared… and most of the people who said it was not possible, have owned up for bring short sighted.
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    “Not all ideas make sense… but if you pitch an idea that has been well thought through to someone who’s thought processes are infantile, they will use their shallow minds to drown your flight of ideas”

    In 1993, he registered his company Alibaba Hicuppuray 3rd to enhance the perception of comedians as a profession and a respected way of life. As part of this work, in 1998, he hired billboards on strategic Lagos streets with the message that became known as “Being Funny is Serious Business.”

  • Comedy season – Chidi Amuta

    By Chidi Amuta

    The Nigerian political class has just graduated from an overpaid sitting circus to a reality television comedy ensemble in perpetual session.

    From its rather impressive but still amateurish recent outings, the National Assembly has good business prospects as a travelling circus. The conclave could end its unproductive existence by travelling round the country to perform to live audiences and charge market driven ticketing fees.

    Its choice of a preview series on public sector corruption could provide sustaining entertainment round the country before being taken on a road show abroad. After all, there are only 36 states and the FCT while there are just about that number of ministries. Each ministry, I am sure, has more scandals to offer where the current sample came from. Important parastatals and agencies could be added with their own series later to drive a more robust and hopefully lucrative entertainment outfit. Now we are just dealing with minor players like the EFCC, NSITF and NDDC. Imagine what great entertainment await us when the series on NNPC, CBN and even the National Assembly open for public viewing!

    Sometimes in the story of a nation, comedy serves the end of conveying the tragedy of imminent unraveling. We seem to have arrived at that place where comedy stands alone as the remaining low cost anodyne in a season of anguish and ever present troubles. For the last couple of days, the National Assembly has regaled Nigerians and the world with daily shades of different antics by sundry overseers and facilitators of corruption in some departments of government. It depends on your interest and comic taste.

    If you want a ping pong game of name-calling and free exchange of lowly story book accusations, you have an abundance of it in the adolescent exchanges between Mr. Akpabio, Minister of the Niger Delta and Ms. Nunieh, former Interim Managing Director of the Niger Delta Development Commission over the NDDC’s bad book keeping habits. The comedy has come from both sides. Ms. Nunieh has accused Mr. Akpabio of laying his ministerial hands on her and how she, in retaliation, delivered an uncommon slap to the honourable face of the Minister. Mr. Akpabio has in turn reciprocated by accusing the learned lady of being rather generous in her selection of marital partners. All this has been peppered with a rather free tossing of millions of dollars and billions of Naira in all conceivable directions and for purposes as diverse as funding phantom training sessions, condolence visits and Covid-19 palliatives to even the police. In all this, Mr. Akpabio is reported to have issued orders to the NDDC management in his accustomed imperial manner of he who must be obeyed in matters relating to the free flow of easy money. Under pressure, Mr. Akpabio resorted to scorched earth comedy by accusing the entire National Assembly as co-defendants in the NDDC loot. He quickly defused this high drama by reversing course, being an ‘old boy’ of the Assembly. Quite entertaining!

    If your preference is for choreographed somersaults and rehearsed swoons, you can tune in to the fainting episode on Mr. Pondei, yet another NDDC Interim Managing Director. In what may turn out a well rehearsed antic, the beleaguered Managing Director knew exactly when to press the fainting button in the course of interrogation. Gossip has it that someone highly placed slipped him a note at the moment of the most difficult question. ‘Why did you expend money from a non -existent budget?’ He read the note, which simply said ‘Time to faint!”, and slipped it under his files. Once the question descended like a hammer blow, the action kicked in. In these matters, precise timing is everything! The National Assembly shifted into a first aid mode. Empathy for he who is about to die takes precedence over minor matters of book keeping and earthly money mongering! End of interrogation. Public attention shifted from the billions expended on fake entries and dubious contracts. End of session. Curtains!!

    If your comic choice is ‘big men’ acting like street urchins and motor park touts in Area Boy language, you may switch channels and listen in to the episode on Mr. Ngige, Labour Minister, as he ‘returned’ in sickening nostalgia to Lagos. In a very cheap tactic to put the House Labour Committee chairman, Mr. Faleke, on the defensive, Mr. Ngige turned to the blackmail of age and status. He took a cheap side shot at Senator Bola Tinubu for no reason other than to put his interlocutor on the defensive. In the process, he proceeded to place himself at a higher social pedestal than Mr. Faleke who he described as a ‘Mushin Boy’ as against himself who he described as a ‘VI Boy’, a term that does not exist in Lagos street parlance. Ministerial decorum was thrown overboard.

    In this comedy stretch, we have a ready cast in place. Politicians, especially the Nigerian variant, are born actors. From weeping on television to dancing foolishly to entertain the public, we have seen politicians who invent bombastic words or commission bank ATM machines in the name of community projects. Drama, especially comedy, is like politics, the art of the possible in palatable words. Politicians are adept at empty words addressed to an audience of captives. The lines they parrot are rehearsed lies and dubious half truths. The mobile podium is their natural habitat. The platform of public expectation is a place to mouth obscenities in the name of promises, to dress false dreams in attractive metaphor and to tell the people to go to hell in words that make them look forward to the journey.

    There is every reason why our politicians should buy into this option of transforming into a national travelling comic enterprise. In times of mass desperation, the most effective instruments in the hands of the creative politician are distraction and diversion. There are enough reasons today for the people to chase away our political leaders. The schools are closed and the children are all at home. Money is scarce and hunger is everywhere.

    Word has gone round that some people have signed off some money to alleviate covid-19 without much to show for it. In one state, there is not as much as one first aid kit let alone a functioning hospital. The governor told the people that there is zero covid-19 infection until he himself tested positive and had to disappear into isolation and treatment very far from his state. The Central Bank tells our illiterate mob that the economy is doing just fine even if one dollar is now selling for nearly N500.

    There used to be 5 women roasting corn at the road junction by the gate of my estate. Only one of them is left there now. People are hungry, and some are getting quite angry too. Government is running out of believable lies. So the best thing is to diversify into comedy at the highest level. Trust Nigerian politicians. They can smell a survival kit from thousands of miles away. To divert the attention of people from present hardship and hopelessness, our politicians have come up with these comic antics. I daresay, the current wave of national comedy over corruption cases is sponsored by the political industry.

    The atmosphere is also right for the comic enterprise to thrive especially on such an industrial scale. The nation is trapped in the throes of Covid-19 with neither science nor superstition to explain our peculiar infection and fatality statistics. Unexplained deaths have however increased. Uncertainty of life and business has become the new normal. Those who venture outdoors do so at their own risk. Only a fraction of the work force can say they still have a job while thousands of small and medium scale enterprises have simply disappeared with no hope of returning to business any time soon.

    Before the resumption of the National Assembly from Covid-19 break, majority of Nigerians derived their comic relief from the social media. The drama sketches, the wise cracks, the creative skits, the fictional snippets posted and massively shared at the speed of light or lightning via the social media held us all in check from either suicide or open rebellion. The millions of cheap cell phones in literally every pocket, hand bag or hidden under tired breasts contain the comic distractions and stories that have kept our people sane in a time of mass betrayal by the people we trooped out to vote into power and authority. Calculated as a function of our population and the magnitude of our distress and divided by the number of our disappointment, multiplied by the quantum of monies stolen from the treasury by daily average, our suicide rate is a record low.

    In this atmosphere, comic relief can be an effective instrument of social engineering. Laughter can reach where the best medicines cannot or even contemplate. People with uncertain lives and deferred death can derive hope and postpone the thought of death with laughter and religion, a combination that now thrives in Nigeria.

    But even the mosques and churches are closed in most of the country in deference to covid-19. Pastors and Imams are shouting desperately to governments to lift this lockdown and let business return. Government should not stand in the way of the people on their way to salvation in heaven! One big church merchant has warned people that covid-19 does not mean they should not pay their tithes. A congregation of just 20 is a joke for a church that used to evacuate weekly offerings by bullion vans. Who will fuel the bishop’s private jet? Or his retinue of armoured cars? Who will fund the countless overseas trips to save more souls for the Lord?

    At the other end of the road to paradise, who will pay to import the marabouts from Morocco or Algeria and Mauritania? How will rich and powerful politicians know when a bandit is planning to shoot them or burn their mansions? Our own local Aafas and marabouts cannot quite see far enough into the future. Their visionary and prophetic skills have dimmed by greed, wickedness and homegrown ambition, They want to drive the same big SUVs as their politician clients. Better to import marabouts from more modest and tame places. They do not know our secrets or understand our ways.

    For all that they are worth, these comic outings can only amount to a tragic betrayal of national trust from a very cavalier ruling elite. More specifically, the shows of shame are a blatant insult on the integrity of the National Assembly and a gross devaluation of the sanctity of an institution that should represent the collective will of our people. But the legislature was merely entertained while losing sight of the serious issues of public accountability raised in the massive looting of the agencies of government under investigation.

    Nevertheless, one aim has been served by these sessions. For those Nigerians who have never understood the main business of our vast political industry, the doubts have been cleared. What we have in Abuja and the various state capitals and 774 local governments is a vast casino of fraud and an endless bazaar of dubious deals and dodgy contracts. Our democracy may end up being the largest heist pulled off on a whole nation by a few crooks and their cohorts.

    But comedy has to end somewhere while we confront the tragic essence of this moment in our national life. Difficult questions confront us all. Why would a nation’s public sector become the playground of thieves of all grades? Why would the public treasury become the piggy bank of a succession of gangsters?

    It is sad enough that serious issues of public accountability are being reduced to episodes of macabre comedy by an unserious cast of cavalier public officials. Ordinarily, public hearings before committees of the National Assembly should be serious and solemn events. Such legislative committee hearings should be for preliminary interlocution with major officials designed to give the public an insight into whatever matters of public interest the legislature is investigating. Such hearings have codes of conduct for public officials who have to appear. Also, such hearings are by no means a substitute for a thoroughgoing investigation of acts of malfeasance by the police and other security agencies. To stage these choreographed comic outings on the floor of the National Assembly masks the real challenge of according public accountability the seriousness it deserves. Worse still, these comic acts diminish the importance and seriousness of the legislature as a conclave of the representatives of Nigerians whose interests are at stake in these hearings.

    When did the National Assembly turn into a court, police interrogation squad or audit investigator? It is even worse. Some of the comic actors in some of the dirty deals have variously fingered the National Assembly as co culprits in the massive haemorrhaging of the treasury. Nigerians have voiced concerns over the sheer size of our legislature. Serious concern has also been expressed about the bloated remunerations of our legislators. Not to talk of the gigantic and serial fraud called oversight. Add to that the annual ritual of budget re-writing in which the various committees of the National Assembly literally re-write the national budget by padding up figures of the ministries and departments under their purview for subsequent dubious expropriation through doubtful contracts. If we add the ongoing revelations about the contract scams in various government departments, then the National Assembly membership becomes easily one of the most lucrative organized crime syndicates in the world.

    At no time will recourse to comedy alleviate the gravity of our tragic burden as a nation. The tragedy of this moment is that our political leadership has chosen to reduce serious national issues into episodes of comedy. This theatre is taking place at a time in world history when every nation is grappling with the crippling effects of a global health disaster. The economic implications are even more damning. We have had the unenviable reputation of being the poverty epicenter of the world and a place where the rights of man are abysmally abused by the moment. A bloody fundamentalist terrorist war remains largely unchecked while widespread insecurity has reduced social life to Hobbesian nakedness: brutish, short and miserable. And yet the play goes on.

    To consciously convert our biggest problem, corruption, to an object of grand comedy is perhaps the greatest act of betrayal and treachery by an insensitive political leadership.

     

    Chidi Amuta is a member of TNG’s advisory board

  • My dad knew school wasn’t meant for me- Josh 2 funny

    Comedian, Chibuike Josh Alfred, aka Josh 2 Funny is one Nigerian entertainer whose humorous content has gone viral on countless occasions.

    The creator of the trending #Dontleavemechallenge has stated that he doesn’t create skits with the intention to make them go viral.

    “I never make skits with the ready-made intention of virality. In fact, the virality of the content never starts from me, it always starts from other people who love the content. For example, that Zimbabwean guy who jumped on #DontLeaveMe made people pay attention to what we created.

     

    “‘All My Guys Are Ballers’ also went viral after people started posting it on Twitter and it went all over the world,” Josh said in chat with Pulse.

    Speaking further, Josh opened up his foray into comedy, adding that his dad had always known school wasn’t meant for him.

    “When I was young, I did a lot of painting and drawing… When I was in JSS1, I used to make greeting cards for my classmates and sell them for N50, N100. The day I sold one for N200, I shut down the market (laughs). I still draw, but time doesn’t allow me to paint and draw as much.

     

    “When I was in Secondary School, my teachers used to tell my dad that schooling was a waste of time for me and he loved hearing that. I was also good at football, I was the best in the same academy as Asisat Oshoala. My dad knew that I was not meant for school, but he wanted me to finish that school to have some security.

     

    “[I chose comedy because] I am naturally funny and people have always told me. I don’t force things and I don’t even try to make people laugh, I just talk. I think comedy is in my blood, but music is in my genes… That’s why I don’t wash my jeans (laughs). I wear dirty jeans”.

     

     

     

     

     

     

  • There are lots of parody social media accounts with my name- Taaooma

    There are lots of parody social media accounts with my name- Taaooma

    Social media personality, Apaokagi Maryam, popularly known as Taaooma, has said there are lots of parody social media accounts created with her name.

    Taaooma made this known in a chat with TheNewsGuru.

     

    The popular skit maker said: “One weird experience I have had online is that there are lots of parody accounts with my name, they are just too much”.

     

    On how she noticed she had a flair for comedy, Taaooma said she didn’t really have flair for it at first.

    “I really didn’t have any flair for comedy at first, all I wanted to learn was how to edit slideshows and all. That made me delve into comedy”.

     

    Taaooma was born and raised in Ilorin, Kwara state capital, where she had her early education. She went on to obtain a Bachelors degree in Tourism and Travel Services Management at Kwara State University, KWASU.

  • How Lagbaja contributed to commercial success of comedy industry- Ali Baba

    How Lagbaja contributed to commercial success of comedy industry- Ali Baba

    Popular comedian and showbiz impresario, Atunyota Akpoboriome, better known as Ali Baba, has stated that the history of the success of stand- up comedy cannot be written without the contribution of Lagbaja.

    Ali Baba made this known on Tuesday when he shared a story about his first time opening for the musician.

    ”The history of the commercial success of stand up comedy can’t be written without mentioning the role this man, @officiallagbaja played in its, process, development and activating the cash. From #SeaGarden to #Motherlan’, he was very clear about how he wanted me to be part of his project. ‘Ali, I want you on stage by 12 midnight till 12:30 or thereabout. Can you handle it?’ He asked me at an auto mechanic shop on Oregun…“ he wrote.

     

    On he got the invitation to perform at Lagbaja’s monthly concert at Motherlan, Ikeja, he said: “Ali, I want you on stage by 12 midnight till 12:30 or thereabout. Can you handle it?” He asked me at an auto mechanic shop on Oregun.
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    I had seen him play at some events at different parts of Lagos. I knew he had a cult following amongst the upwardly mobile young men and women.
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    I said yes. And were My assumptions right?
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    “I need intelligent and spontaneous jokes that will cut across, Yoruba, Igbo, Hausa and all others who will come to watch us. And I want you to yabbbbbbbb them well well.”
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    What l then said must have sealed it. “Shey you won’t say I should tone it down?”.
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    There was one guy, who sat in at the meeting. He had eyes like a Tortoise Car. His mind was half there at the meeting… and half at the BMW he had instructed one of his mechanics to fix.
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    His fears were not unfounded. Because, as he was trying to respond to my rhetorical question, the car the young apprentice was trying to jack up, rolled over what he used to wedge the front tyre.
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    We all dashed to assist in pushing the BMW back from where it had rolled into the door of another car.
    It was a sloppy workshop.
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    Lagbaja was wearing brown chinos and a checked top.
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    He turned to the mechanic, Adeoye or Ade something, (it’s been long) “So, what do you think?”
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    “He is the man”. And returned to dealing with the vehicle bumper.
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    Lagbaja, at this time, was sitting on the burnet of a car, got up to his feet and shook my hand. “See you on Friday next week”
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    That Friday came. And The crowd were as predicted, lawless, loud and unruly. They were rich. I had a goal to reach. So, I left the jokes. Mo bu shege kuro lara awon were. Gradually, they started to listen. There was a new sheriff in town.
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    And from SeaGarden to Opebi, the art and act of Stand Up, was eased into the corporate world. Banks. Oil companies. Conglomerates. Military boys… all in”.

    https://www.instagram.com/p/CAYN6a7n6ny/?utm_source=ig_embed

     

     

     

  • COVID-19 LOCKDOWN: Basketmouth, AY,  Bovi, others find new ways to thrill fans

    COVID-19 LOCKDOWN: Basketmouth, AY, Bovi, others find new ways to thrill fans

    What happens to comedy when social gathering is outlawed? This is the question every Nigerian comedian worth its salt has been grappling with.

    With shows and events cancelled as a result of the coronavirus pandemic and people being asked to stay home and practice “social distancing”, Nigerian comics are resorting to new ways to practice their craft. Stand-up comedy, under its current model is currently dead at every level.

    https://www.instagram.com/p/B-hrRz_FgRY/

     

     

    Bright Okpocha a.k.a Basketmouth has used this moment to intensify his social media presence by releasing delightful comedy skits. He featured his colleague, Bovi in a skit called ‘The Syndicate’. The video currently has 23,000 views on YouTube as at the time of filing this report.

    https://www.instagram.com/p/B-JtjtPFm11/

     

    In the same vein Bovi rather than wallow in misery, complaining about absence of comedy gigs, has also been posting more of content from his web series ‘Back to school’ which gets fans roaring with laughter.

    https://www.instagram.com/p/B-UIWTWBRTd/

    On the flip- side, popular comedian Senator has found solace in hosting some of his colleagues in his Instagram live comedy show tagged ‘Lockdown comedy show’ where they share jokes which allay the fears of their numerous fans. Senator in the past few days has hosted Buchi, Dan Dee Humourous, IGosave and Seyilaw.

    https://www.instagram.com/p/B-YC-kSlwcT/

     

    On his own part, Ayo Makun popularly known as AY has been sharing content from his new web series ‘Call to bar’ on his Instagram and YouTube Channel.

    https://www.instagram.com/p/B-gfsgrnIN7/

     

     

  • The comedy at Imo House of Assembly, By Ehichioya Ezomon

    The comedy at Imo House of Assembly, By Ehichioya Ezomon

    By Ehichioya Ezomon
    Amid the tension generated by the sacking of Governor Emeka Ihedioha of the Peoples Democratic Party (PDP), a comic relief is playing out at the House of Assembly in Owerri, the capital city of Imo State.
    Within days of the collapse of the Ihedioha government, two-thirds of members of the PDP emptied themselves into the incumbent All Progressives Congress (APC) installed on January 14, 2020.
    By Tuesday, January 28, 16 members of the PDP had switched camps on the floor of the assembly, in utter disrespect for the extant laws regulating defections in political parties.
    A proviso to Section 109(1)(g) of the amended 1999 Constitution allows for defection of a member of the House of Assembly only on two grounds: a division in, or a merger of the sponsoring party or a faction of it with another party or parties.
    Absent these conditions, a defecting lawmaker’s seat can be declared vacant by the Assembly Speaker, who then directs the Independent National Electoral Commission (INEC) to conduct a fresh election into the position.
    But is the Imo Speaker capable of or willing to undertake such a venture when he leads the exodus from the PDP? This could be why the party side-stepped the Speaker, and asked the INEC to conduct new poll into the seats.
    The spokesman of the PDP, Kola Ologbondiyan, told the press on January 30 in Abuja that: “The PDP is left with no other option than to request INEC to immediately commence the processes for the conduct of fresh elections into the respective state constituencies where the legislators have vacated their seats in line with the provisions of the 1999 Constitution.”
    Alleging that the defectors were “easily bought by personal pecuniary and political interests,” Mr Ologbondiyan said the lawmakers “have indeed shown absolute lack of character, failure of leadership capacity in moments of challenges and absence of faith to stand with the people in their most trying moment.”
    It seems the decamps were praying, and waiting for Governor Ihedioha and the PDP to lose the appeals filed by Senator Hope Uzodinma and the APC at the Supreme Court of a seven-member panel of Justices, headed by the Chief Justice of Nigeria, Justice Tanko Muhammad.
    With Justice Kudirat Motonmori Olatokunmbo Kekere-Ekun reading the lead judgement, the court voided the election of Mr Ihedioha, and declared Senator Uzodinma as the Governor of Imo State.
    The court ruling generated instant controversy, leading to aggrieved members of the PDP, led by its Chairman, Prince Uche Secondus, staging daily protests, and calling for the reversal of the verdict, and return of Ihedioha as governor.
    Possibly unknown to the PDP apparatchiks, including the vice presidential candidate in the 2019 general election, Mr Peter Obi, the lawmakers had accepted the court verdict, and decided to decamp to the newly-installed APC government in the state.
    The Speaker of the House, Rt Hon. Chiji Collins, holding on to his position, led the way, switching from the PDP to the APC. A few days later, seven PDP members crossed the carpet.
    The ranks of the defectors swelled by eight members on Tuesday, January 28, bringing the number of members of the APC to 18 in the 24-member Assembly.
    Worsening the irony is Eddy Obinna, the lawmaker representing Mr Ihedioha’s Aboh Mbaise State constituency, who couldn’t see out Ihedioha’s appeal praying the Supreme Court to reverse itself.
    Reports indicate that the remaining six PDP lawmakers were on the verge of departing the party, “as some of them couldn’t conclude consultations within the week,” but that by last Wednesday, “more lawmakers would have made up their minds.”
    This corps of legislators is telling Nigerians that when it suits their interest, there’s no scruple moving from one party to the other in a twinkle of an eye. Yes, their interest! That’s what dictates this melodrama in the absence, and observance of party ideology.
    Forget the platitudes mouthed by the defectors: That they wanted to be on the same page with the executive arm of the Imo Government, so together, they could move the state forward.
    As a lawmaker said: “They (defectors) joined APC so the House of Assembly and the executive arm of the government should be on one page to make laws for Imo people.
    “Remember, when Emeka Ihedioha was governor, all of us dumped the party that elected us, and joined the PDP to move the state forward. So, it is not a new thing to be a member of APC. All we are doing is for the betterment of Imo people.”
    Baloney! Must you all belong to the same political party “to move Imo State forward” in terms of development and delivering the “dividend of democracy” to the people?
    Without a viable opposition, the government would sooner turn into a one-party state, and ultimately an autocracy that brooks no challenge to its authority, no matter the effect of its policies and programmes on the people.
    Because, those who could hold the government to account have become enablers in the guise of being “on the same page” with the executive. Is that the essence of democracy?
    The “tragedy” at the Imo House of Assembly is the dilemma of the Nigerian political system of “winner-takes-all” that leaves members of the opposition stranded in influencing government’s programmes as they affect their constituents.
    If a political party can’t serve the interest of its members due to lack of actual representation in government, what option is left for its members but to decamp to the ruling party!
    Yet, do the constituents complain about their representatives offering their mandate to other platforms? No, because the lawmakers either consult with them, or simply impose their will, as they do often to get elected.
    So, head or tail, the Imo lawmakers are representing their people, who, owing to the crumbs, code-named “dividend of democracy” they receive, let them get away with murder in their behalf.
    LAST LINE: An appeal for health safety
    Mr Bolawole(+2348023842418): “I observe, with dismay, how food vendors, especially akara (bean cake) and bounce (buns) (bread rolls) sellers, expose these items to dust and flies at bus stops around Lagos metropolis. I wish you use your column to alert the relevant agencies on this wicked act.”
    I appeal to the Lagos State health and environmental authorities, to take note, and help monitor these spots, to prevent contamination of these foods by air-borne diseases we can ill-afford amid growing concerns over the rapid spread of the deadly Lassa fever to many states in the country.
    * Mr. Ezomon, Journalist and Media Consultant, writes from Lagos, Nigeria.