Tag: Music

  • Love, sex, money important in a relationship- Zeeter

    Love, sex, money important in a relationship- Zeeter

    Rising singer, Zeeter opens up on her love for music, challenges of being an indie artiste, sexual harassment, amongst other issues in this chat with THENEWSGURU.

    Can you briefly tell us about yourself?

     

    I’m Zeeter Zainab Oliver born in Kaduna raised in Ikoyi Lagos. My Dad is Igbo and my mother Idoma. I started my career as a teenager with the support of my mother. I have been an independent artiste throughout my entire career. I currently live in Abuja Nigeria.I have a new EP titled Nostalgia. My friends refer to my music as Afro-house. I’m working on a talk show about People, Passions and Power in Africa.

     

    How long have you been singing?

    I have been singing since I was a teenager. I however launched out as a professional, 6 years ago.

     

     

    What inspired your Nostalgia EP?

    My love for throwback songs inspired the EP. The songs in this EP gives you a nostalgia vibe

     

    What were the challenges you faced at the early stage?

    People didn’t take me serious when I started out. Maybe they just assumed I am just a pretty face.

     

    How did you overcome them?

    Going into the studio and recording good music made me overcome the challenges. I believe an artiste’s work speaks for itself. So I’m developing my craft every day I record a new song.

     

    Sexual harassment is a common trend in the industry, how did you scale through?

    It’s an ongoing experience. In nearly every working environment a woman is harassed for one reason or the other. If you are pretty you would be harassed, if you are not pretty you would still face some kind of intimidation. We are soon going to level the playing field for now, we are standing together “women for equality.”

     

     

    What part of your body gets you the most attention?

    Maybe my eyes I wouldn’t know for certain.

     

    Can you cope with a habitual liar in a relationship?

    Lies breed mistrust and disloyalty. Both of which I take seriously

     

    Was there a time you wanted to give up on music?

    Yes that’s an ongoing battle

     

     

    What makes you cry?

    Disappointment and grief makes me cry.

     

    Is being sexy an advantage

     

    Being sexy serving as an advantage yes it does.At times if you are not attractive you will not be noticed enough to be heard or listened to .Your looks matters, you are your brand.

     

    What do you look for in a relationship love sex or money?

    All of the mentioned above are important in a relationship and maybe more. I will pick love first, because love for me comes with friendship and understanding. My lover must be my best friend.

     

  • Nigerian artiste in US begs for help over ‘slavery’ deal with Akon

    Another artiste has cried out for help while Nigerians were still dealing with reviving the musical career of Cynthia Morgan who blamed Jude Okoye for her misfortune.

    And unexpectedly the artiste happens to be Samklef, who is a singer but well known as a music producer.

    Samklef, however, took to Twitter to share the devastating situation he found himself after signing for a popular American singer and songwriter, Akon.

    Samklef described the treatment given to him by Akon under Konvict Music as “Slavery deal”.

    He said that the situation nearly made him take his own life as it wasn’t a pleasant one.

    Nigerian filmmaker HG2 Filmworks, however, jumped to Samklef’s defense.

    He asked Akon to respond to the allegations leveled against him by his countryman.

    He warned him to settle issues amicably or will forever hold him responsible, should anything bad happen to the singer.

  • Lockdown stopping me from making  new music-Waje

    Lockdown stopping me from making new music-Waje

    Nigerian singer, Waje has stated that the ongoing COVID-19 lockdown is preventing her from making new music.

    The sonorous singer made this known while speaking to TVC about how she is coping with the lockdown.

    “Unfortunately for me. I really don’t know my way around the studio, and making new music is one of the things that this lockdown season has stopped me from doing,” she said.

    “There are things you think you don’t need to concentrate on because you have certain people who can do it while you play the studio engineer.

    “All those times when studio engineers would come to my home, I wish I had been paying attention to what they were doing because, now, I can’t even use the studio without them around.

    “Yeah, I’ll hum a few things and put words down. But the anxiety from what’s going on makes it difficult for me to write. So I started two online classes. I never got to do my masters.

    “So, I just thought I could as well just enroll and pace myself. I’ve been eating. I’m getting to a point where I need to isolate myself from my kitchen and refrigerator. I really can’t help it.”

    On how showbiz has been faring ever since she threatened to quit music due to its financial weight and uncertainties, Waje said the experience has been a learning cure for her.

    To be honest, It has been better than I expected. Situations like that make you reevaluate your process, the opportunities that come by, and how well you maximize them,” she added.

    “Sometimes, you feel like you don’t have people who really want to be part of your success. But the truth is that they’re there. It’s probably you not finding them.”

     

  • BREAKING: Kenny Rogers, longtime country music star is dead

    BREAKING: Kenny Rogers, longtime country music star is dead

    The Rogers family has announced that longtime country music star, Kenny Rogers has passed away last night at 10:25PM at the age of 81.

    Rogers passed away peacefully at home from natural causes under the care of hospice and surrounded by his family, according to a family source.

    In a career that spanned more than six decades, Kenny Rogers left an indelible mark on the history of American music.

    His songs have endeared music lovers and touched the lives of millions around the world. Chart-topping hits like “The Gambler,” “Lady,” “Islands In The Stream,” “Lucille,” “She Believes In Me,” and “Through the Years” are just a handful of Kenny Rogers’ songs that have inspired generations of artists and fans alike.

    Rogers, with twenty-four number-one hits, was a Country Music Hall of Fame member, six-time CMA Awards winner, three-time GRAMMY® Award winner, recipient of the CMA Willie Nelson Lifetime Achievement Award in 2013, CMT Artist of a Lifetime Award honoree in 2015 and has been voted the “Favorite Singer of All Time” in a joint poll by readers of both USA Today and People.

    “The family is planning a small private service at this time out of concern for the national COVID-19 emergency. They look forward to celebrating Kenny’s life publicly with his friends and fans at a later date,” Keith Hagan of SKH Music said for the Rogers family.

    Kenny Rogers’ biography

    GRAMMY Award-winning country superstar and music icon Kenny Rogers has enjoyed great success during his storied career of nearly six decades.

    The enduring Country Music Hall of Fame member and pop superstar has endeared music lovers around the globe with his amazing songs, heartfelt performances, distinctive voice, gift for storytelling and universal appeal, and in 2016, Rogers is embarking on what will be his final world tour with a show that will celebrate his musical legacy: The Gambler’s Last Deal.

    Rogers has played to millions of fans around the world, performing chart-topping songs from a rich catalog of hits, including “The Gambler,” “Lady,” “Islands In The Stream,” “Lucille,” “Coward of the County,” “She Believes In Me,” “Ruby, Don’t Take Your Love To Town,” “We’ve Got Tonight,” “Daytime Friends,” “Through The Years,” “Love Will Turn You Around,” “You Decorated My Life,” “Crazy,” “Every Time Two Fools Collide,” and “Buy Me A Rose.”

    The first country artist to consistently sell out arenas, Rogers has played to millions of fans around the world. Incredibly, he has charted a record within each of the last seven decades (’50s, ’60s, ’70s, ’80s, ’90s, 2000’s, 2010’s), while sending 24 songs to the No. 1 spot of the charts. He has sold more than 120 million albums worldwide, making him one of the Top Ten Best Selling Male Solo Artists of All Time, according to the RIAA. Rogers has won many awards for his music and charity work, including three GRAMMY Awards, 19 American Music Awards, 11 People’s Choice Awards, eight Academy of Country Music Awards, six Country Music Association Awards (including the CMA Lifetime Achievement Award in 2013) and the Artist of a Lifetime Award at the CMT Artists of the Year 2015 award show. Rogers has been the recipient of the Lifetime Achievement Award from the International Entertainment Buyers Association, the Cliffie Stone Pioneer Award from the Academy of Country Music, and the Horatio Alger Award, given to those who have distinguished themselves despite humble beginnings. Most recently, on February 29, 2016, Rogers was honored with the 2016 Tony Martell Lifetime Entertainment Achievement Award at the 8th Annual TJ Martell Foundation Nashville Honors Gala.

    Rogers earned a GRAMMY Award nomination and CMA Award nomination in 2014, along with longtime friend and collaborator Dolly Parton, for their new duet, “You Can’t Make Old

    Friends,” the title track of Rogers’ current acclaimed 32nd studio album released by Warner Bros. in 2013. “You Can’t Make Old Friends” was also included on the American Songwriter Top 50 Songs of 2014 list. The magical Kenny & Dolly reunion was only the third time in the studio together since their “Real Love” hit in 1985.

    Rogers’ music has always crossed boundaries — his 28 Billboard Adult Contemporary Top 10’s is sixth-best all-time, and fourth-best among men, trailing only Elton John, Neil Diamond and Elvis Presley. Rogers was the only male artist to notch Billboard AC Top 10s in the ‘60s, ‘70s, ‘80s and ‘90s (only Barbra Streisand also managed that feat in those decades). Rogers has sent the most country No. 1’s to the top spot on AC (five of his eight AC No. 1’s were also country No. 1’s) and no core country artist has crossed over more titles to AC.

    He is still making monumental cross-over appearances at some of the world’s most prestigious festivals up to this day. In 2013, Rogers gave his first performance at the largest outdoor arts spectacle, the Glastonbury Festival, playing to over 130,000 enthusiastic fans, and at Morocco’s world music, Festival Timitar, with upwards of 100,000 people in attendance. In 2012, the country legend was welcomed with open arms at popular U.S. festival Bonnaroo, where Rogers performed his own set with surprise special guest Lionel Richie and later joined Phish on-stage as a surprise guest himself for a rousing version of “The Gambler.”

    Houston-born Rogers formed his first band while in high school in 1956—a doo-wop group called the Scholars—and has never quit making music. He charted as a solo artist in the late ’50s with “That Crazy Feeling” and performed the song on American Bandstand, played stand-up bass in the jazz group the Bobby Doyle Three (appearing on their album released by Columbia Records), and in 1966 became a member of the popular folk group, The New Christy Minstrels.

    The spotlight started focusing on Rogers when his group, the First Edition, scored their first hit, “Just Dropped In (To See What Condition My Condition Was In).” Pop and country chart success followed for the band with “Ruby, Don’t Take Your Love To Town” (when the group officially became known as Kenny Rogers and the First Edition). A string of hits, including “Reuben James,” “Something’s Burning” and “Tell It All Brother,” and a TV variety show called Rollin’ continued to make the popular group relevant. But it was Rogers’ breakthrough, GRAMMY-winning performance of “Lucille” as a solo artist in 1977 that propelled him to superstardom, launching one of the most prosperous careers in the history of music. Certified gold, “Lucille” was named Song of the Year and Single of the Year by the Academy of Country Music and also earned Single of the Year honors from the Country Music Association.

    “Daytime Friends,” “Sweet Music Man,” and “Love Or Something Like It” continued Rogers’ run of success. Then came his smash hit, “The Gambler,” a story song so vivid it not only delighted country and pop fans, it also became a TV movie, starring Rogers himself in the title role as Brady Hawkes. The movie spawned four follow-ups, making it the longest running miniseries franchise on television. The five Gambler mini-series have attracted over 100 million viewers nationwide and launched a second career for Rogers as an actor on television and movies, including another TV movie based on one of his #1 hit songs, “Coward of the County.” While drawing new listeners and fans to country music in the 1980s, he came to embody the role of the sensitive male, singing such romantic hits as “Through The Years,” “She Believes In Me,” “You Decorated My Life,” and “Lady,” the biggest song of his career.

    In 1985, Kenny participated in the historical USA For Africa recording of “We Are The World,” the multi-celebrity performance which raised millions of dollars for famine relief in Africa. A year later, he co-chaired the audacious “Hands Across America” fund-raiser for America’s hungry.

    Into the late ’80s and ’90s, in addition to worldwide tours, recording new music and forming his own record label and management company, Rogers established himself as a well-respected photographer, publishing several books. He was even invited to the White House to shoot a portrait of First Lady Hillary Clinton. He also authored several short stories, and appeared off- Broadway in his Christmas musical, The Toy Shoppe, which he subsequently toured.

    In 1999, Rogers returned to the charts in a big way on his own record label, Dreamcatcher, with the hit and Number One video, “The Greatest,” and when the follow-up, “Buy Me a Rose,” hit Number One in 2000, Rogers, at age 61, became the oldest artist in chart history to have a Number One solo record on the country chart, proving his talent was just as vibrant and meaningful as it was when he first started out.

    Rogers has continued his amazing run into the 21st century with a Country Music Hall of Fame induction, a CMA Lifetime Achievement Award, two GRAMMY Award nominations (“Calling Me” with Don Henley and “You Can’t Make Old Friends” with Dolly Parton), a CMA Award nomination (“You Can’t Make Old Friends” with Dolly Parton), a Gold-certified record (21 Number Ones), and three critically acclaimed albums (Water and Bridges, The Love of God, and You Can’t Make Old Friends), considered by Rogers to be some of the very best work of his entire career.

    Never one to rest on his laurels, in this current decade, Rogers became a New York Times best- selling author. His autobiography, Luck or Something Like It – A Memoir, became a New York Times Best Seller shortly after its 2012 release. A producer of several books of photography, Rogers received an Honorary Masters of Photography from the Professional Photographers of America in 2014.

    Shortly following Rogers’ 2013 induction into the Country Music Hall of Fame, a career-spanning exhibit entitled Kenny Rogers: Through The Years opened in 2014 at the Country Music Hall of Fame and Museum in Nashville. The exhibit closed in June of 2015.

    Rogers released his first Christmas studio album in 17 years — Once Again It’s Christmas — on September 25, 2015. The record includes guest appearances by Alison Krauss, Jennifer Nettles, Home Free, Jim Brickman, and Winfield’s Locket. On the Cracker Barrel exclusive edition of the recording, Rogers is joined by The Time Jumpers (including Vince Gill) for one song.

    Remaining a popular entertainer around the world, Rogers, who was once voted the “Favorite Singer of All-Time” in a joint poll by readers of both USA Today and People, still loves touring and recording new music. Even so, Rogers came to a conclusion that family is more important than touring at this stage in his career, once he’s played the final date of his last world tour. “I’ve been so lucky to have enjoyed such a long career and to have such amazing support from my fans and all who have helped me along the way, but there comes a time when I need to focus on spending time with my family. My life is about my wife and my 11-year-old twin boys right now. There are a lot of things I want to do together with them to create some special memories. I don’t have a bucket list of my own…I have a bucket list of things I want to do with them.”

  • Revealed: How Coronavirus is hitting the Nigerian music industry

    Revealed: How Coronavirus is hitting the Nigerian music industry

    The Covid-19 coronavirus epidemic which was first discovered in China in December, has had sweeping effects in the public health, business, and travel sectors, among others. And while the consequences for the entertainment industry may seem to pale in comparison to the clear threat the virus poses to human life, the ripple effects do have implications for the people around the world who make a living via the entertainment industry.

    Goldenvoice, the organizers of Coachella, one of the largest annual music festivals in the US, announced on March 10 that the festival would be postponed due to concerns about the outbreak. Another Goldenvoice festival, the country music-oriented Stagecoach, has also been postponed.

    In the home front a lot of music concerts and gatherings have been cancelled and postponed.

    TheNewsGuru had reported on Wednesday 18th of March that popular entertainment spot, New African Shrine has suspended all programmes as part of efforts to curb the spread of COVID19.

    The Davido Concert

     

    Back in February 21, 2020, Davido commenced his A Good Time tour in Edmonton, Canada. The last location played was Denver, Colorado, US before the tour was cancelled on March 13, 2020.

    The show was meant to happen in Dallas, Texas, US on March 14, 2020.

    However, Davido announced the cancellation via his Instagram page

    https://www.instagram.com/p/B9p2d1vhk1F/

    “I’m saddened to halt what has been a fantastic sold-out tour so far, but postponing is the right thing to do. The health and safety of my fans and staff is most paramount and nothing else matters. Be safe and see you all soon! God be with us all!”

    Sinach Live in Concert postponement

     

    Fans of popular Nigerian gospel singer, Sinach were distraught when she announced that her Sinach Live In Lagos Concert has been postponed. It was slated for May 22, 2020. But due to the spread of coronavirus, the event was postponed till October 18, 2020 on March 6, 2020.

    A press statement obtained by TheNewsGuru written by her management read in parts :”Sinach loves her fans, it is for that reason this decision was made to ensure that everybody including our Foreign team, Special guests, Sponsors and the entire public are carried along to execute an Excellent and World Class Concert.

     

    “Sinach thanks everyone who has already purchased tickets. Tickets purchased for the event are still valid and will be honored on the rescheduled date. Thank you and God you bless you all richly.”

    https://www.instagram.com/p/B9hLdOXlNU6/

    In the same vein, she also postponed her South Pacific Tour

     

    Asa three-city LUCID TOUR cancelled

    Sensational Nigerian singer, Asa on March 6, 2020 announced her LUCID Tour with a stop in Lagos. That concert was tagged Asa Live In Lagos. She was meant to perform at Eko Hotels and Suites, Victoria Island, Lagos on April 11, 2020. Other stops on the tour included, London (March 29, 2020) and Abuja (April 13, 2020).

    But on March 18, 2020, she announced via her social media pages that all tour dates had been cancelled and all tickets will be refunded. This was due to coronavirus.

     

     

  • Victor Olaiya: Trajectory of Nigeria’s birth and decline – Owei Lakemfa

    Victor Olaiya: Trajectory of Nigeria’s birth and decline – Owei Lakemfa

    By Owei Lakemfa.

    A widely held African belief is that there are three stages in life; when you are born, adulthood and old age which presages eternal departure. These are also symbolized by dawn, afternoon and sunset. Likewise, the life of Victor Abimbola Olaiya, the music genius can be broken into three equal segments, neatly characterized into three thirty-year periods. He was born into colonial Nigeria in 1930 and witnessed the agitations for independence and a prosperous future. Thirty years later, the new country, Nigeria was midwifed.

    Olaiya was commissioned to perform at the official State Banquet to mark that October 1, 1960 Independence Day. In the next thirty years, he saw a troubled country seized by soldiers, fight a needless and degenerative Civil War in which some two million perished, and the country firmly under military jackboots. In another three decades, as his sun set, he also witnessed the sun of his beloved country setting thanks to a sick and parasitic political class which plays politics with everything.

    Olaiya handled the trumpet the way only a genius could, and played Highlife music which rocked the 1950s into the early 1970s and laid the foundation for subsequent music genres like Juju. The founder and creator of Afro Beat, Fela Anikulapo-Kuti cut his teeth under him.

    Olaiya was a music machine producing one hit after another. One of them is ‘Ilu Le’ a narrative of the economic difficulties to which the citizens of the new country were being subjected. The simple, emotive and highly danceable song was rendered in two stanzas in Shakespearian couplet form. The first was about the general hardship which all suffered. The second stanza focused on what he analyzed as the coping strategies of women. He sang in Yoruba that a gaily dressed woman would visit a man and tell him she’d looked everywhere for him wondering if nobody ever told him. For Olaiya, this was a mere smokescreen for the lady to seek financial bailout.

    This highly melodious song with simple and unforgettable lyrics, speaks to the heart of the populace. It was an early indication of Olaiya being a social conscience of the people. Also embedded in the song is his lifelong preoccupation with women themes.

    Another hit “Omo pupa” is a dedication to fair skinned ladies. In wooing the lady he tells her: “When I get to London, I will send you money for ticket.” Obviously a fake promise.

    In “Mofe muyan” he sang: “Please tell the lady not to leave. I have said we came to catch fun. Lady, please don’t leave. I am child-like…”

    The “Mr. Judge” song is rendered as a court drama in which he is helpless about the beautiful women especially those that frequent the Itafaji and Tejuosho markets. He sings in English: “I say Mr. Judge show me the way. Before you talk, I plead not guilty…All the girls from Campus Square…E.T. Mensah blow your horn. Dr. Victor Olaiya blow your horn”

    “Tina Mate” is a song wrapped like a conflict in a question and answer form. He asks, in any given situation who do you choose; mother or wife, wife or girlfriend? In “Iyawo Maronu” the husband tries to comfort the wife and counsels her not to become belligerent or adversarial just because they are undergoing financial challenges. He cautions her not to become unfaithful as nobody can predict the future” In “Gbemisola” he uses a female vocalist who praises the husband and pledges her love, singing: “If I have riches today, you gave them to me”

    Olaiya loved and respected women but in general, he tended to see them in his music more as lubricants of society rather than engines that move society.

    “Iye Jemila” is an hilarious song in Ijebu languge in which he called out an imaginary couple, the parents of his heart throb, Jemila who after collecting some money from him refused to give him her hand in marriage. He makes an allusion to the Ijebus alleged tendency to counterfeit money. He and cautioned them: “Human beings are water. They flow cross the world. If we don’t meet at the source, we’ll meet upstream.”

    In “Afrika” which he rendered in English, he lamented that the continent is burning and dying

    Singing: “Afrika, so so fight, fight, fight. Afrika so so war, war ,war. Afrika so so fire, fire fire. Afrika

    so so die, die, die.” He gave examples of the then war theatres like Congo, Sudan and Chad. But in giving examples of the wars in Angola, Mozambique, Soweto (South Africa) Namibia and Zimbabwe, he failed to indicate that they were liberation wars; necessary wars against colonialism, racism and Apartheid.

    Olaiya sang many philosophical songs employing the trumpet and many languages especially Nigerian and Ghanaian. He was a well organised person who believed deeply in collectivity.

    I was shocked in the late 1980s when I got a message from him seeking an appointment to visit me in the VANGUARD Newspapers where I was Labour Editor. I replied that he is a father of my generation and that he should rather, grant me the honour of visiting him. During our meeting at his hotel, I discovered he had been reading my debate against the Performing Musicians Employers’ Association Of Nigeria (PMEAN) being run by non-employers who had tried to drop the word “Employers” from the organisation’s name and changed the acronym to PMAN.

    He wanted me to help build another musicians body, the Nigeria Union of Musicians (NUM) which is “a forum for bands (and) musicians who play an instrument or sing” He was the President of the NUM and wanted me in addition, to assist in getting the Radio, Television and Theatre Workers Union (RATTAWU) to affiliate the NUM. Olaiya believed in labour and solidarity and marched at the May Day. During my visits, he gave me copies of his records which he autographed.

    Nigeria underwent long spells of military misrule with brutal dictators holding the country in a vile stranglehold. The most brutal and kleptocratic was General Sani Abacha who wanted to transform into an ‘elected’ President. For this, he deployed huge sums from the looted national treasury. In that season of infamy, Abacha gave PMEAN a billion Naira contract to get all the notable musicians to perform at a march to endorse his be-goggled makeover. The leading musicians fell over themselves to get to Abuja and perform for evil. Tried as the organisers could dangling huge sums of money, two musicians pointedly rejected the money and refused to join in the chorus of infamy; young Femi Kuti, and Olaiya.

    Monuments are unlikely to be named after him, but Dr. Victor Abimbola Olaiya who departed on February 12, 2020 will never be forgotten.

  • How Bono inspired Waje not to quit music

    How Bono inspired Waje not to quit music

    Nigerian songstress, Aituaje Iruobe, popularly known as Waje, has declared that she would no longer be quitting music after Irish rock star, U2, told her he liked her last album, Red Velvet.

    The sonorous singer made this known via her InstaStories on Tuesday.

    “Bono sees my album and says ”Waje I judge a book by its cover so you got this right! Then gives me some secret tips. So seems like this gurl won’t quit,” she wrote.

    Recall that weeks ago, the singer revealed that the music business is draining her resources and she is frustrated.

    She made this known in an emotional interview posted on her YouTube account.

    In the 12 minute clip that was uploaded on her Youtube page over the weekend, Waje in an emotional outburst lamented about the state of the music industry and the reception of fans towards her music.

    In the touching video, Waje is seen on a bed with her hair undone and no form of makeup worn as she flips through her phone soaking in all that was been said about her music and the poor reception of the fans.

    “She said:”May be its fair to give it a rest. All the people that were shouting ‘Waje your last album was eight years ago, where are they now’?

    “I know how much time and effort has gone into this particular album… I’m at that point where I’m just… maybe it is time to just bow out”.

     

  • I was tempted to quit music- Slimcase

    Afro-centric rapper, Slimcase is no doubt one of the most sought after rappers in the Nigerian music industry at the moment.

    Unknown to many, the self-proclaimed ‘Ruby Lanshi’ became a bonafide star after a decade of pursuing his passion for music. His journey hasn’t been devoid of detours and challenges.

    In a recent encounter, the ‘Azaman’ singer revealed that he doesn’t drink alcohol or smoke cigarettes.

    “I don’t smoke, drink alcohol or do drugs I am only a good actor. Taking alcohol is not a sin, but drinking to stupor is a sin”, he told Vanguard.

    Speaking further, the entertainer said he was tempted to give up on music, but his passion for the craft kept him going.

    “Sure, I was tempted to quit every day. Everybody in the music industry once had that feeling of quitting but passion for the art has been the drive.”

     

     

  • Waje threatens to quit music over lack of funds

    Waje threatens to quit music over lack of funds

    Fondly called ‘The Voice’ by her fans, Nigerian songstress Waje has lamented over the lack of funds to promote her music.

    The revered singer released an album titled ‘Red Velvet’ in 2018 and it didn’t meet her financial expectations.

    In a 12 minute clip that was uploaded on her Youtube page over the weekend, Waje in an emotional outburst lamented about the state of the music industry and the reception of fans towards her music.

    In the touching video, Waje is seen on a bed with her hair undone and no form of makeup worn as she flips through her phone soaking in all that was been said about her music and the poor reception of the fans.

    She said: ”May be its fair to give it a rest. All the people that were shouting ‘Waje your last album was eight years ago, where are they now’?

    “I know how much time and effort has gone into this particular album… I’m at that point where I’m just… maybe it is time to just bow out,”.

     

     

  • There is a lot of  unhealthy competition in the music industry- Seyi Shay

    There is a lot of unhealthy competition in the music industry- Seyi Shay

    For years, Nigerian songstress Seyi Shay has brought smiles to the faces of her teeming fans. The ‘Gimme Love’ singer has won awards, headline shows and released hit songs.

     

    However, the singer who relocated from London to Lagos over six years ago has said there is a lot of competition in the music industry.She made this known in a chat with Pulseng.

     

    “There is a lot of competition in the industry, healthy and unhealthy. There are some people that do not want…you know…how do I put this in a very nice way, there are some people that want other people talents to outshine them. So in an industry that is very competitive, you are always going to get the whole knocking, blocking, stopping…do you understand? Those things are there in the industry, especially in my industry. Sometimes it’s also about the team you have around you.

     

    “So as I said, I have been out here for about six years and I have a couple of good managers and a couple of not so good managers but anytime you make one mistake, it kind of sets you back a little bit and that’s a problem. And I just feel like generally, timing is everything and it’s my time now. I just feel that there is a time and a season and even if the world says no and God says yes, then that is it. I’m ready now… I feel like if things had happened then, some people won’t be able to handle it and maybe even me”.

     

    Speaking further, the singer whose EP ‘Electric Package’ is making waves across the country said she is personally fulfilled because everything she has put out there has been new and fresh.

     

    “But I personally feel fulfilled because everything I have put out or release has been new and fresh…do you understand? And I’m really proud of myself for that. What happens tomorrow, next week, next year, where I go next, I really can’t say for now. All I know is that my team is stronger, I feel more positive, happier, much more sure of myself. For once I know the potential of everything I plan for 2019 happening is more sure…do you understand? As opposed to before when I was just shooting in the dark. Because being an independent artist and not having the team and the numbers and…you know…some people are in camps that have a super producer, super this or super that, it’s just me. Seyi Shay is just me and my guys and now Acetune. Its never been easy but I have enjoyed the ride,” she said.